A lot of the martial arts, like karate, are fiction. Hit a guy up the nose with a palm and bone shards will spear into his brain and kill him, except there isn't any bone in the nose, its all cartilage. And all those old legends, a lot of them are good for hogwash, if you have a willing hog.
But, there is a certain science that has proven true in the martial arts. This is the science of how to use geometrical energy potentials. I discovered this field while reading a series of books called the Lensmen Series.
I suppose the first time it hit me was when the author, E. E. Smith, described people fighting on the hull of a space ship. They were hooking their feet under hand grips so they would not fly into space from the reverse force of their strikes. They were anchoring themselves so they could apply force, and not be the effect of their own force.
Soon I was swallowed by a universe where weapons created incredible geometries of force. A death ray was a beam, and it could be deflected by a well built shield. And if a shield could deflect, then a shield thrust sideways could slice the first shield apart.
Soon I was enraptured by concepts of fleets of space ships creating their own particular brand of strategic logics. Fleets of space ships would form globes around other fleets, and cones of fleets of spaceships would engulf and swallow globes of fleets. Each time a geometry was described, my mind struggled to keep up with the concepts.
Then, shock of shocks, fleets of spaceships gave way to mental powers. Those same rods and globes and cones and shields, made real in the extreme of space combat, became the stuff of mind to mind encounters. How do you slide your awareness through the grid of another but alien mentality?
And, ultimately, having finished the series of books, I began extending those outer space alien mind warfare strategies to my chosen field of the martial arts. I sank my weight into deep horse stances so I would not fly away from the projection of my own force. I described cones with the movements of my limbs, and went after globes of fists as they flew out of space at me.
When I tell people about this they generally think I am a bit crazy, or they know me a genius. Reading sci fi for inspiration, who would have thought. Yet, isn't the martial arts an art, and shouldn't it be filled with creativity and expression and beams of force and mind to mind conflicts?
But, there is a certain science that has proven true in the martial arts. This is the science of how to use geometrical energy potentials. I discovered this field while reading a series of books called the Lensmen Series.
I suppose the first time it hit me was when the author, E. E. Smith, described people fighting on the hull of a space ship. They were hooking their feet under hand grips so they would not fly into space from the reverse force of their strikes. They were anchoring themselves so they could apply force, and not be the effect of their own force.
Soon I was swallowed by a universe where weapons created incredible geometries of force. A death ray was a beam, and it could be deflected by a well built shield. And if a shield could deflect, then a shield thrust sideways could slice the first shield apart.
Soon I was enraptured by concepts of fleets of space ships creating their own particular brand of strategic logics. Fleets of space ships would form globes around other fleets, and cones of fleets of spaceships would engulf and swallow globes of fleets. Each time a geometry was described, my mind struggled to keep up with the concepts.
Then, shock of shocks, fleets of spaceships gave way to mental powers. Those same rods and globes and cones and shields, made real in the extreme of space combat, became the stuff of mind to mind encounters. How do you slide your awareness through the grid of another but alien mentality?
And, ultimately, having finished the series of books, I began extending those outer space alien mind warfare strategies to my chosen field of the martial arts. I sank my weight into deep horse stances so I would not fly away from the projection of my own force. I described cones with the movements of my limbs, and went after globes of fists as they flew out of space at me.
When I tell people about this they generally think I am a bit crazy, or they know me a genius. Reading sci fi for inspiration, who would have thought. Yet, isn't the martial arts an art, and shouldn't it be filled with creativity and expression and beams of force and mind to mind conflicts?
About the Author:
Al Case has examined martial arts for 4O++ years. A writer for the magazines, he is the originator of Matrixing Technology. You can find out about Matrixing by getting his free ebook at Monster Martial Arts.
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